Tuesday, 19 November 2013
INSTALLATION ART IN THE NEW MILLENIUM
15-10-13
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| p159 EIJA-LIISA AHTILA 'TUULI/THE WIND 2002 |
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| p144 SAM TAYLOR WOOD 'THIRD PARTY' 1999 |
The video installation is about the tensions and erotic entanglements arising between persons in a closed environment, realized with professional actors and the British rock star Marianne Faithful. The 10-minute film sequence, shot with 7 cameras simultaneously, is accompanied by an elaborate sound installation.
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| P159 EIJA-LIISA AHTILA 'ANNA, AKI AND GOD' 1998 |
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| p170 CHRISTOPH DRAEGER 'APOCALYPSO PLACE 2000 |
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| p67 UGO RONDINONE- 'IT'S LATE AND THE WIND CARRIES A FAINT SOUND AS IT MOVES' 1999-2000 |
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| p77 DOUG AITKEN- 'NEW SKIN' 2002 |
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| p83 BEAT STREULI- 'BILLBOARD SYDNEY' 1998 |
Starting points
14-10-13
I struggled to find a starting point, so looked at my past ideas and influences. I wanted to keep it simple, so I had the idea of using traditional mediums and light.
Drawing (life drawing tonight)
- Project light onto an object that makes a drawing... use inanimate objects to create a life drawing (nude)
-Experiment with objects and projection
-Experiment with figure drawing/lines
I struggled to find a starting point, so looked at my past ideas and influences. I wanted to keep it simple, so I had the idea of using traditional mediums and light.
Drawing (life drawing tonight)
- Project light onto an object that makes a drawing... use inanimate objects to create a life drawing (nude)
-Experiment with objects and projection
-Experiment with figure drawing/lines
Alexis Milne- Lecture (notes)
3-10-13
Alexis Milne is a London-based artist concerned with issues surrounding contemporary political protest.
He uses video and performance to direct his work/s. By placing himself inside his performances, he re-visits his youth.
Milne influenced his work by looking at films such as: 'Made In Britain', 'Stations of the Elevated', 'Wildstyle' and 'Beatstreet'.
Examples of work include: 'The Delinquents'
Alexis Milne is a London-based artist concerned with issues surrounding contemporary political protest.
He uses video and performance to direct his work/s. By placing himself inside his performances, he re-visits his youth.
Milne influenced his work by looking at films such as: 'Made In Britain', 'Stations of the Elevated', 'Wildstyle' and 'Beatstreet'.
Examples of work include: 'The Delinquents'
- video series
- 80's/90's
and 'Riot' (2010)
- based on the G20 demonstrations against the financial systems
http://www.alexismilne.com/jobseeker.html
What interested me about Alexis Milne's work is the unique use of performance and video. I found the way he connected with his work in a physical way intriguing.
Oscar Murillo: IF I WAS TO DRAW A LINE, THIS JOURNEY STARTED APPROXIMATELY 400KM NORTH OF THE EQUATOR
21-09-13
For his first major solo exhibition in the UK, London-based artist Oscar Murillo empties his studio to present its contents in the main gallery space. Stitched canvases, drawings, sculptures and films, tables constructed from copper sheets, used as flooring in previous shows, and floor pieces made from masses of pulped biro drawings continue Murillo's practice of translating various aspects of studio endeavour into matter and then into form. Mobilising the physical remnants of distinct social situations, he exposes some of the contradictions and complexities apparent across socioeconomic, racial and cultural boundaries.
Oscar Murillo: South London Gallery (LINK)
For his first major solo exhibition in the UK, London-based artist Oscar Murillo empties his studio to present its contents in the main gallery space. Stitched canvases, drawings, sculptures and films, tables constructed from copper sheets, used as flooring in previous shows, and floor pieces made from masses of pulped biro drawings continue Murillo's practice of translating various aspects of studio endeavour into matter and then into form. Mobilising the physical remnants of distinct social situations, he exposes some of the contradictions and complexities apparent across socioeconomic, racial and cultural boundaries.
Oscar Murillo: South London Gallery (LINK)
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